Matthew 22:1-14
This week's Sermon That Works by The Very
Rev. Thelma M. (“Nikki”) Mathis does a terrific job making sense of an
otherwise difficult parable.
What If?
It’s
possible that the “weeping and gnashing of teeth” referred to at the end of
this parable is being performed by anybody who has to preach on this Gospel passage
this morning. The kingdom of heaven is like … a king with anger issues, a
vicious aristocracy, and a guest with poor taste in clothing who gets thrown
into everlasting torment? How is this good news?
Where’s
the Jesus who says, “Come to me, all you who are weary and are carrying heavy
burdens, and I will give you rest” (Matthew 11:28)? The one who gave us the Beatitudes;
the one who heals all the sick; the one who says, “Let the children come to me”
(Matthew 19:14)?
Believe
it or not, this is the same Jesus who is speaking to us this morning,
but this time, the verbal form he’s using can be trickier to understand. Unlike
a wise proverb or a beautiful promise, parables are stories that are meant
to be weird. They are undomesticated by design. They have no clear answers tied
up in a bow. Instead, they have outrageous characters doing ridiculous things,
all for the purpose of expanding our holy imaginations.
And
yes, of course, we first use intellect, study, and analysis to understand the foundational
context of the parables—that of the original culture and language—and all the
implications thereof. But then, springing from that foundation, parables invite
us to feast on “what if?” And in that “what if,” we can explore new ways of
living and loving outside the stifling, normative box created by our own
cultural assumptions, conventions, and any self-righteous sense of moral
certainty. Author and New Testament theologian Amy-Jill Levine, in her book, Short
Stories by Jesus, offers this key to our exploration of multi-faceted truth
in parables:
Like a poem (another simile), a parable
will evoke numerous interpretations; it is our job to sort through them. When
we seek universal morals from a genre that is designed to surprise, challenge,
shake up, or indict and look for a single meaning in a form that opens to
multiple interpretations, we are necessarily limiting the parables and, so,
ourselves.
We might be better off thinking less about
what they “mean” and more about what they can “do”: remind, provoke, refine,
confront, disturb.
And
disturb is exactly what this parable does. Here we find a dismissive and
murderous aristocracy that kills royal servants for the crime of inviting them
to a dinner. Here’s a king who has apparently never heard of de-escalation, so
he destroys a city. Here’s a royal social order so rigid that commoners are
coerced to come and party while unburied corpses—and what little possessions
they may have had—are still burning in the city’s rubble. And we can’t forget
the guy without a tux who gets tortured for all eternity. Not to mention all
the elegant foods prepared for the gourmet feast—the fatted calf and
slaughtered oxen waiting to be consumed like some time-sensitive parmesan and
truffle double-baked soufflĂ©—across the time it took for a monarch to assemble
troops and commit war crimes against his own people!
Why
would Jesus offer any part of this absurd nightmare as an example of the
kingdom of heaven?
Let’s
start at the foundation.
The
foundation for this parable derives, at least in part, from an argument
unfolding after the time when Jesus lived and taught. At the time when
Matthew’s Gospel was being written, there was an intramural cultural and
theological argument between two sides of the Jewish community: about whether
Jewish Christians or Jewish non-Christians were the ones truly following God.
By
having the parable’s king destroy the city of those who “would not come” to the
wedding banquet he had prepared, Matthew is weighing in on the debate. The
destroyed city in the parable recalls the Roman decimation of the city of
Jerusalem—and the absolute razing and defiling of temple—in 70 ad. The application seems to be that, in
the destruction of Jerusalem, God’s judgement has been enacted on the Jewish
religious leaders who rejected Jesus. The parable could be Matthew’s way of
arguing that Jewish believers in Jesus are the ones truly faithful to God.
Now
this historical context doesn’t necessarily mean that we should read this
parable as a wholesale allegory, but that’s most often how this parable is
explained in pulpits, Sunday School, and Bible studies. And unfortunately, from
that interpretation, it’s just a hop, skip, and a jump to many false and
anti-Semitic notions: about how Christians and Jews fit into the unfolding of
God’s plan of salvation.
What
if, for us here and now, Jesus is also doing a new thing? The great thing—the
good news—about Christ’s invitation to the “What if?” of parables is that—once
we honor the foundation—we’re set free to listen to whatever else the Holy
Spirit has to say. Is this parable about existence of judgment? The fact of
Jesus’s rejection? The inclusion of others who are often rejected, now being
fed and honored at God’s table?
What
if this parable is a mirror held up for us to see our sometimes-distorted
notions of God and God’s kingdom—or shall we say God’s “commonwealth”?
(Remember: parables invite us to think about God in fresh and vivid terms,
asking, “What if…?”) What if God
operates outside of our notions of power and control, of scarcity and fear? What
if God rejects being depicted as angry or power hungry, rejects being used as
an excuse for the crusades or the slave trade or the Doctrine of Discovery? What
if Jesus isn’t the bridegroom as depicted in this story—a royal so
inconsequential to the lives of his subjects (and to our daily lives now), that
he’s ornamental rather than functional? What if Jesus isn’t a prince so
negligible that we can offer worship on Sunday and then uphold empire on
Monday?
If
this parable can function as a mirror, the reflections we see in it are not for
the purpose of beating up on the church, using shame as a punishment for
judgment. What if judgment isn’t exclusively about punishment, but about clear
sight and honest repentance, leading to love and liberation?
The
Rev. Dr. Martin Luther King Jr said it best: “Power without love is reckless
and abusive, and love without power is sentimental and anemic. Power at its
best is love implementing the demands of justice, and justice at its best is
power correcting everything that stands against love.”
What
if the ridiculous cruelty of this parable is meant to remind us of the simple
fact that God is love, and we are beloved? Jesuit priest and author Gregory
Boyle addresses this beautifully in his book, Tattoos on the Heart: The
Power of Boundless Compassion:
God, I guess, is more expansive than every
image we think rhymes with God … The God, who is greater than God, has only one
thing on her mind, and that is to drop, endlessly, rose petals on our heads.
Behold, the one who can’t take his eyes off of you. Marinate in the vastness of
that.
Following
love’s logic to its conclusion, let us look again at the parable’s mirror.
Perhaps
Jesus isn’t king or son, but a conscientious objector to empire. Jesus is the
one who won’t go along with status-quo maintenance and the terror that comes
with abuse of power.
Lutheran
pastor and author Nadia Bolz Weber describes Jesus in the parable like this: “At
Calvary he (is cast out into) the outer darkness of empire, the outer darkness
of our self-obsessions, the outer darkness of our secret addictions, the outer
darkness of our sins and sorrows, the outer darkness of our human competition
extravaganza. He goes to Calvary, rather than play along.”
What
if we, like Jesus, refuse to “play along” with empire, and with our projections
on and emulation of God as tyrant?
What
if—among the many who are invited—the few chosen are the ones who choose to
follow Divine Love incarnate, so that we can all—every human being
everywhere—may be called “beloved,” God’s children with whom God is well
pleased?
What
if, because of what was done by Jesus in the outer darkness of Calvary, we
really do get to, as Father Boyle says, “marinate in the vastness of a God who
can’t take their eyes off of you, and who endlessly drops rose petals on our
heads”?
Amen.
The
Very Rev. Thelma M. (“Nikki”) Mathis is the Rector of St. Gregory the
Great Episcopal Church in Athens, GA, Episcopal Diocese of Atlanta. She is also
Dean of the Oconee Convocation in this diocese. For more than a decade, she has
served on the faculty for the Episcopal Preaching Foundation and is currently
faculty for the Learning to Lead program in her diocese. She is a contributor
to Forward
Day by Day, The Sewanee Theological Review, Graymoor, and the Episcopal
Preaching Foundation publications Kerygma and Preaching the
Beatitudes.
